THE SHOCK - HUGHES

 1. What did America invent, relative to the museum, according to Hughes? How did this change the art collection approach of modern collectors? How did Alfred Barr contribute to this approach. How did this shape MOMA? How was this exemplified by The National Gallery?

According to Hughes, America invented the Museum of Modern Art, which shifted the focus of collectors from solely historical art to modern works. Alfred Barr played a crucial role by organizing exhibitions and acquiring pieces that showcased the ongoing evolution of art, turning MOMA into a modernist hub with works by artists like Picasso, Van Gogh, and Pollock. The National Gallery also began embracing modern art, creating exhibitions to reflect this shift.

           Museums Shake Things Up by Mixing Old and New - The New York Times

2. Describe "urban renewal". Use examples from SOHO, and the area around the Pompidou in Paris (the Culture Gulch). Describe how we arrived here. How the function of art changed from visual communication, through public discourse, through avant-gardism to this point of urban renewal?

Urban renewal refers to the redevelopment of neglected urban areas. SOHO, once an industrial area with factories and warehouses, transformed when artists moved in and started using the space for galleries and studios, turning it into a cultural hotspot. This shift happened as artists began exploring societal values and critiquing power, turning art from visual communication into a form of public discourse, and eventually leading to the integration of art in community spaces.

             SoHo Street Art — NYC URBANISM

3. What is the function of a museum? What can it hold? What can it not hold? Expand on the narrators museum and Zoo metaphor. What should the function of a museum be? Do you agree with this films conclusion? In some ways it is directly at odds with my opinion. Who is right? does it matter?  What is your opinion? Why should we care? 

The function of a museum is to preserve and present objects with cultural, historical, or artistic significance. While museums can house objects and knowledge of importance, they cannot contain site-specific installations or intangible experiences like personal meaning. The narrator’s zoo analogy compares museums to zoos, as both trap dynamic, living things in fixed environments. I agree with the film’s conclusion that, like animals, art shouldn’t be confined too rigidly, though sometimes public displays benefit art. Whether we agree or not, the discussion matters because it questions the purpose and limitations of museums in shaping culture.

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